#EVENTIDE H910 HARMONIZER TORRENTS CODE#

They all needed to be converted, which is not a trivial task because it's not just about recompiling the source code - the different maths environments can produce different outputs for the same inputs, with slightly different-sounding results, which of course was deemed unacceptable! To ensure that the ported algorithms sound exactly the same as the old ones, under all possible conditions and settings, Eventide developed a special 'automated listener' program to analyse each and every algorithm with every possible parameter value (far beyond a practical task for human listeners). The benefits of the new platform are abundantly clear, but a tricky side-effect of such a radical change is that the massive library of effects algorithms developed by Eventide over the last 30 or 40 years can't run directly on the new platform. Interestingly, in the H9000, the quad-core ARM processors are mounted on removable cards, the idea being to allow easy upgrading of the device as and when even more powerful processors become available. Although the H9000 was hinted at in 2016, it has been in development for around five years, and the long time spent on R&D was mostly due to this model being built on a newly developed platform comprising multiple 32-bit floating-point ARM processors (previous models had been based on more traditional 24-bit fixed-point DSP). Of course, the relentless progress in processor power and memory capacities has allowed each new generation of Harmonizer to be far more powerful than the last, and it's little surprise that the new flagship H9000 Harmonizer represents a substantial leap forward in this respect from the eight-channel H8000FW that appeared in 2006. And they weren't limited to musical effects - for example, most of the alien/machine voice processing in the BBC's iconic 1978 radio comedy drama The Hitchhiker's Guide To The Galaxy was also courtesy of an H949. Harmonizers also featured heavily in the creative guitar sounds and effects on albums from the likes of AC/DC, David Bowie, Van Halen, Led Zeppelin, and many more. The more powerful H949 Harmonizer that followed soon became a mainstay of high-end recording studios and broadcasters, and found its way into the stage racks of many well-heeled musicians. In 1974 the brilliantly innovative H910 Harmonizer was an instant success, providing not only delays with modulation and feedback, but also playable pitch-shifting. This was back at the very beginnings of the digital audio revolution and, as with many contemporary companies, Eventide's early forays into ones and zeros were with variations on digital delay lines. The company started out in 1970 making auto-locators for Ampex multitrack tape recorders, but they first came to the attention of most musicians when they launched the Instant Phaser. The Eventide name has been revered in the recording studio world for as long as I can remember. Its a very musical pitch-shift and I will say one thing UAD is great at is modeling vintage units.īut that is just the surface of what this plugin can add to the mix because it is a far out vintage special effects unit that will really add spice to any track.īut the noise and middling fidelity are a bit TOO authentic for my taste.Eventide's most powerful ever Harmonizer crams half a century of effects know‑how into a unit that's elegant, easy to use and - thanks to its upgradeability - completely futureproof. Im not gonna lie I go to the Bennie and jets setting and blend it with vocals and snare.

I like this one for snare widening and that 70s vocal effect. Pretty disappointed in UADs lack of resolution to this issue after all of the money Ive invested into using their hardware and software. With the UAD version, I have to be careful to not overdo it now that I have something thats so good, quick, and reliable. With the H910 plug-in, you can easily use MIDI to control pitch and harmonization in real time.īut beware, one test drive of the H910 plug-in, and youll discover sounds that you cant live without.Įminently useful and every bit as unique as the original hardware.Īnd now in 2015, UA continues to move the past into the future with the Eventide H910 plug-in. This allows the UAD H910 Harmonizer plug-in to retain the original hardwares characteristic tone, as well as its dynamic responsiveness to input signals. While simple, this circuit allows you to explore unique, unpredictable effects, never before emulated in a plug-in. Worlds away, ACDC engineer Tony Platt put the H910 to slyly fatten up Back in Blacks iconic snare sound, while Eddie Van Halen used two H910s for max spread on his 80s guitar tones. On classics like David Bowies Low, and Iggy Pops The Idiot, producer Tony Visconti used the H910 to pitch down drum sounds, famously saying it, fcked with the fabric of time. From sci-fi sound design to pop music landmarks from David Bowie and ACDC, the Eventide H910 is an unmatched creative tool.

Eventide h910 harmonizer torrents